Jim Reeves - But You Love Me Daddy - 1960 |
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In his earliest RCA recordings, Reeves was still singing in the loud style of his first recordings, considered standard for country and Western performers at that time. He softened his volume, using a lower pitch and singing with lips nearly touching the microphone, but ran into some resistance at RCA; until in 1957, with the support of his producer Chet Atkins, he used this style on his version of a demo song of lost love, written from a woman's perspective (and intended for a female singer). "Four Walls" not only took top position on the country charts, but went to number eleven on the popular charts. Reeves had not only opened the door to wider acceptance for other country singers, but also helped usher in a new style of country music, using violins and lusher background arrangements soon called the Nashville sound. [1]
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